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Creating excellent product packaging is more than just producing a great design. To make great packaging you’ll also need to produce printer-friendly artwork that your printer can use to easily apply your design to print. In this Psd Premium tutorial, author Mark Mayers will demonstrate how to create a Blu-ray in-lay card for a fictional zombie movie and mock it up as an impressive 3-D Blu-ray case that you can present to your clients. This tutorial will walk you through the entire process and will use Photoshop as well as Illustrator to create error free, printer-friendly artwork.
This tutorial takes inspiration from the recent zombie genre revival, such as The Walking Dead, based on Robert Kirkman’s popular graphic novels – so get ready for some post-apocalyptic, flesh eating zombie mayhem! This tutorial is available exclusively to Premium Members. If you are looking to take your package design skills to the next level then Log in or Join Now to get started!
Author Mark Mayers is a talented designer and illustrator from the UK. He has worked as a designer and creative director for several design/advertising agencies and specializes in print, branding, packaging, and exhibition graphics. Mark began his career when the tools of the trade were markers, layout pads, and most importantly, the ability to draw, but he embraced the digital revolution in the early 90′s and swapped his drawing board for a Mac. Today, Mark freelances from his studio in Cornwall for such clients as American Express, BMW, Future Publishing, IDG Communications and Imagine Publishing.
Premium members can Log in and Download! Otherwise, Join Now! Below are some sample images from this tutorial.
As you know, we run a premium membership system here that costs $9 a month (or $22 for 3 months!) which gives members access to the Source files for tutorials as well as periodic extra tutorials, like this one! You’ll also get access to Net Premium and Vector Premium, too. If you’re a Premium member, you can Log in and Download the Tutorial. If you’re not a member, you can of course Join Today!
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This is a list of the most useful default Photoshop keyboard shortcuts that you can use them to speed up your workflow. Some of them are rarely mentioned, some are more common and some are only available in Photoshop CS5. I hope everyone will find some new and useful shortcuts in this article. So let"s get started!
Command/Ctrl + Space + Click and Drag Left or Right. Fastest way to zoom in and out with one keyboard shortcut (only in CS5 and only with GPU enabled).
Alt + Shift + Right Click (Win) or Control + Option + Cmd + Click (Mac). Gorgeous color picker with a color wheel (only in CS5 and only with GPU enabled). Preferences are under General tab.
Hold Down H + Click, Reposition View and Let Go of the Mouse to Zoom Back). Works great with large images, when you need to work closely. Fast way to fit the image to screen and then zoom back into another area with the previous zoom ratio quickly.
Ctrl + Alt + Right Click (Win) or Control + Option + Click (Mac). Drag your mouse to right/left to change the size and up/down to change the hardness. It only works with CS5 in both directions. In CS4 only the size change works. You can change the color of the brush preview under Preferences/Cursors. You also need GPU turned on under the Performance tab to be able to see the brush preview.
Hold Down Shift. Works with nearly every drawing tool.
Hold Down Command/Ctrl. Fastest way to move something quickly and then switch back to the previous tool.
Shift + Ctrl + Space (Win) or Shift + Command + Space (Mac). Best way to compare or work on more than images at the same time.
Hit Tab. You can always show them again by pressing Tab once more, or just simply hover over the edges to show the panels and toolbar temporarily.
Space and Then Arrow Keys. It works the same way as in Bridge. Make sure that you deselect the images in MiniBridge or collapse the panel when you continue working in Photoshop.
Command/Ctrl + Shift + . or , you can use it for selected text. It won’t work by only selecting the text layer.
Command/Ctrl + Shift + K. Quick way to switch between lowercase and uppercase text. Make sure you type without Caps lock to be able to use this.
Alt/Option + Left and Right Arrow Keys. Useful way to make equalize the distance between characters. If you select a word, a line or a whole paragraph then you change the Tracking. If you click between two characters you change the Kerning.
Alt/Option + Up and Down Arrow Keys. Quickly change the distance between selected lines.
Alt/Option + Shift + Up and Down Arrow Keys. Easy way to use one text layer but have different positions for the text.
Command/Ctrl + Backspace – Foreground Color, Alt/Option + Backspace – Background Color, Shift + Backspace – Fill Options. Great way to fill color into selections or change the color of text and vector shape layers.
Alt/Option + Click on Cancel. Instead of canceling a dialog box and returning to it try Reset and save time and effort.
Numeric Keys, Shift + Numeric Keys. This will change the opacity and fill of the selected layer (or even more than one layer at the same time in CS5) and it will change opacity and fill of the tool if you select a drawing tool.
Command/Ctrl + I. This is a fast way to invert visible parts of a layer if you invert the colours of the layer mask.
Hit Caps Lock. If you don’t want to see the edges of the brush you can switch to precise mode easily by having Caps lock on.
Ctrl + Alt + Shift (Win) or Command + Option + Shift (Mac) When Loading Photoshop. If you want to start with the default settings and user interface hold down these buttons while Photoshop is loading.
Press (X). Fast way to switch between the selected colour.
Alt/Option + Click on a Layer Mask. Great way to clean up the mask after you save it from a selection. Using it again will switch back to normal view again.
Shift + Click on a Layer Mask. You can quickly show the original contents of the layer with this keyboard shortcut. Using it again will enable the mask again.
Alt/Option + Shift + Click With a Selection Tool Over Another Overlapping Selection. Easy way to keep only a specific part of a selection.
Ctrl + Alt + Shift + E (Win) or Command + Option + Shift + E. If you want to keep all your layers but you also need to merge them together to be able to use something you can convert them all into one Smart object or use this keyboard shortcut to make a duplicate merged layer.
Alt/Option + Click on Panel options under the options of Layers panel.
Of course you can use Photoshop without keyboard shortcuts, but you can be much faster and productive if you spend a little time on getting used to have one of your hands over the keyboard all the time and memorize some of these combinations. Feel free to include some other useful shortcuts in the comments section.
Source: http://feedproxy.google.com/~r/psdtuts/~3/iDIKOzKX9tc/
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In this tutorial, I’ll be showing you how to draw a shiny green apple. We’ll have a look at various painting techniques throughout this tutorial. It will be fun and you’ll learn something new – let’s started!
Editor?s note: In an effort to introduce some of our older content to some of our newer readers we have resurrected this post from October 2008 for everyone to enjoy for the first or second time. Enjoy!
Create a new document using the settings shown below.
Create a new layer and name it "Apple." Grab the Elliptical Marquee Tool, make a selection as in the below image. Next, grab the Gradient Tool, then pick Foreground to Background and set Style to Radial. Make your Foreground Color #88cc33 and Background Color #005522. Fill the selection as shown.
Apply the Inner Shadow layer style using these settings: Blend Mode set to Multiply, Opacity at 75%, Angle set to -90 degrees, Distance set to 45 pixels, and Size set to 80 pixels.
Create a new layer and name it "Texture." Command-click the "Apple" layer to load the selection, if the selection is not still active. Use the colors from step one and go to Filter > Render > Clouds. Next go to Filter > Distort > Spherize, and set the Amount to 100% and Mode to Normal. This will give our simple texture a spheric look. Set the layer Blending Mode to Soft Light. Now we have some texture on the apple.
Create a new layer on top and name it "Dots." Get the Brush Tool and set the Foreground Color to #ccdd99. Also, set the Master Diameter to 5 and Hardness to 100, then create several dots by placing single clicks all around the apple.
Set the Master Diameter to 3 pixels and paint some more. Command-click the "Apple" layer to load the selection, if the selection is not still active. Go to Filter > Blur > Motion Blur, and set the Angle to 90 degrees and Distance to 3 pixels. Now go to Filter > Distort > Spherize, set the Amount to 100, set the Mode to Normal, and apply it. Set the layer Blending Mode to Overlay and Opacity at 50%. Hit Command + D to deselect.
Create a new layer on top and name it "Dent." Grab the Elliptical Marquee Tool and make a selection, as shown in the below image, then fill it with white and Deselect. Create another layer and name this one "Dent Shadow." Make an elliptical selection, as in the image below, and fill it with black.
Alt-click on the line between the "Dent Shadow" and "Dent" layers in the Layers Palette. Deselect by hitting Command + D. This will define the "Dent" layer as a Clipping Mask for the "Dent Shadow" layer. Now go to the "Dent" layer in the Layers Palette and set the Blending Mode to Multiply.
Go back to the "Dent Shadow" layer and apply a Gaussian Blur filter with a radius of 17 pixels. Set the Layer Opacity at 75%. The size of the dent ellipse may vary in your document, so you can adjust the Radius of Gaussian Blur filter to avoid the visible top edge of the ellipse.
Now we’ll make some highlights. Create a new layer on top of the layer stack and name it "Highlight 1." Grab the Elliptical Marquee Tool and make a selection, as in the below image, and fill it with white. Now make a bigger elliptical selection as shown, then hit Delete to clear the selection. Deselect and go to Filter > Blur > Gaussian Blur, and apply with a Radius of 10 pixels.
Create a new layer on top of the layer stack and name it "Highlight 2." Grab the Elliptical Marquee Tool and make a selection as shown, then fill it with white. Now make another elliptical selection as shown, then hit Delete to clear the selection. Also, don’t forget the select and clear the white piece below. Deselect and go to Filter > Blur > Gaussian Blur, then apply with a Radius of 8 pixels.
Now create a new layer below "Highlight 1" layer and name it "Black." As you can tell from the name, we are going to fill it with black. Now select "Black," "Highlight 1," and "Highlight 2" layers in the Layers Palette and merge them by hitting Command + E. Go to Filter > Brush Strokes > Spatter. Set Spray Radius to 6 and Smoothness to 14. Command-click the "Apple" layer to load the selection, go to Select > Inverse and hit Delete to clear. Set layer Blending Mode to Screen. Deselect.
Create a new layer above the "Dots" layer, and name it "Red." Grab the Elliptical Marquee Tool and make a selection as shown, then fill it with the color #ffbe00. Command-click the "Apple" layer to load the selection. Go to Filter > Blur > Gaussian Blur and apply with a Radius of 50 pixels. Next, set the layer Blending Mode to Hue. Now, deselect by hitting Command + D.
Create a new layer below the "Red" layer, name it "Yellow." Grab the Elliptical Marquee Tool and make a selection as shown, then fill it with the color #fff444. Command-click the "Apple" layer to load the selection. Go to Filter > Blur > Gaussian Blur and apply with a Radius of 50 pixels. Next, set the layer Blending Mode to Hard Light and Opacity at 75%. Deselect by hitting Command + D.
Create a new layer on top and name it "Reflection." Grab the Rectangular Marquee Tool and make a selection as shown, then fill it with white. We’ll make a window reflection out of this rectangle. So select two rectangular areas as shown, then clear them.
Go to the Layers Palette and add a Layer Mask to the "Reflection" layer by clicking the Add Layer Mask button. Grab the Gradient Tool, set it to Linear Gradient. Fill the layer Mask with the gradient, as you can see in the below image.
The Layer Mask is selected at the moment, click the "Reflection" layer thumbnail to go back to the layer. Now, go to Filter > Blur > Gaussian Blur and apply with a Radius of 8 pixels. Go to Edit > Transform > Warp, and select Arc from the presets list, then set the Bend to -20%.
Create a new layer on top and name it "Backlight." Command-click the "Apple" layer thumbnail and fill the selection with white. Make sure the Marquee Tool is selected, then move the selection about 10 pixels left using the Left Arrow key. Now, hit Delete to clear.
Command-click the "Apple" layer again to load the selection, then go to Filter > Blur > Gaussian Blur, and apply with a Radius of 7 pixels. Hit Command + D to deselect. Grab the Eraser Tool, then set the Master Diameter to 270 pixels and Hardness at 0%. Erase the lower part of the backlight, as you can see in the below image.
Create a new layer and name it "Stalk." Grab the Pen Tool, set to Paths in the tools options. Draw a curve for the stalk of the apple. Now, grab the Brush Tool and open the Brushes Palette. Under Shape Dynamics, set the Dynamic Control for Size to Fade. Set the Steps for Size Fade to 70 and set Minimum Brush Diameter to 20%. Under Brush Tip Shape, set the Diameter to 14 pixels and Hardness to 100%. Now, set the Foreground Color to #884411.
Go to Paths Palette, open the Paths Palette pop-up menu (click the triangle in the upper right to open) and choose Stroke Path, set the Tool to Brush and hit OK. Click somewhere outside the path in the Paths Palette. Command-click the "Dent" layer thumbnail in the Layers Palette to load its selection.
Grab the Rectangular Marquee Tool, then while holding the Shift key, make a selection that covers the upper part of the stalk. Go to Select > Inverse, then hit Delete to clear the lower exceeding part of the stalk, and deselect.
The path you have drawn is stored in the Paths Palette as a "Work Path." It stays there until you draw another path, then the new path you draw will be your "Work Path." If you want to keep the existing path before you draw a new one, you can give it a name by double-clicking on the path. Thus you won’t loose it when you draw a new one. If you want the path to disappear in your document, then go to Paths Palette and click somewhere outside the path in the Paths Palette.
Create a new layer and name it "Stalk Highlight." Grab the Brush Tool and set the Master Diameter to 5 pixels. Set the Foreground Color to white. Now go to the Paths Palette, make sure Work Path is selected, open the Paths Palette pop-up menu, then choose Stroke Path, set Tool to Brush, and hit OK.
Command-click the "Stalk" layer thumbnail in the Layers Palette to load its selection. Go to Filter > Blur > Gaussian Blur and apply with a Radius of 1 pixel. Set the layer Opacity at 40%. Select the "Stalk" layer in the Layers Palette, then go to Filter > Noise > Add Noise. Set the Amount at 3%, set Distribution to Uniform, make sure Monochromatic is checked. Now, deselect by hitting Command + D.
Grab the Burn Tool, and using a soft brush (I set Master Diameter to 65 pixels and Hardness to 0%), make the bottom part of the stalk darker.
Create a new layer below the "Stalk" layer and name it "Stalk Shadow." Grab the Rectangular Marquee Tool and make a selection, as in the image below. Fill it with black and Deselect. Go to Edit > Transform > Perspective and tweak the perspective of the layer as shown.
Go to Filter > Blur > Gaussian Blur, set the Radius to 7 pixels, and apply. Grab the Eraser Tool, and using a soft brush, clear the top part of the shadow. Next, Command-click the "Dent" layer to load the selection. Grab the Rectangular Marquee Tool, then while holding the Shift key, make a selection that will cover the top part of the shadow. Now go to Select > Inverse and hit Delete to clear. Deselect and set the Layer Opacity to 60%.
Now we can make the finishing touches before we merge the layers. First, I’ll fill the background with the color #004400. Next, I made some minor changes. I set the Opacity of the "Highlight" layer at 85%, "Yellow" at 35%, "Red" at 85%, "Dent Shadow" at 95%, "Backlight" at 60%, "Reflection" at 55%.
I applied an Inner Glow Layer Style to the "Apple" layer to make the edges a little bit darker using these settings: Blend Mode of Multiply, Opacity set at 30%, Size set to 20 pixels, and Color set to #003300. I also changed the "Apple" layer Inner Shadow Opacity to 45%.
Finally, I applied an Outer Glow layer style to the "Dots" layer with these settings: Blend Mode set to Multiply, Opacity at 60%, Color set to #2b2b2b, and Size set to 8 pixels. Now select all the layers except the "Background" layer in the Layers Palette, then go to Layer > New > Group From Layers, and name the group "Apple."
Create a new layer below the "Apple" group and name it "Shadow." Grab the Elliptical Marquee Tool and make a selection as shown, then fill it with black. Deselect and go to Filter > Blur > Gaussian Blur, and apply with a Radius of 40 pixels.
Create a new layer above the "Background" layer and name it "Light." Grab the Elliptical Marquee Tool and make a selection as shown, then fill it with the color #338833. Deselect, then go to Filter > Blur > Gaussian Blur, and apply with a Radius of 75 pixels.
Now we have our apple ready but it looks too much like a sphere, but you can give it an apple shape using the Warp transform. Right-click the "Apple" group and merge it. Go to Edit > Transform > Warp and distort it to give it an apple shape.
You’ll see some distortion on the edges which are caused by the Warp transform. To get rid of them Command-click the "Apple" layer, go to Select > Modify > Feather, and set the Radius to 1 pixel. Next, go to Select > Inverse and hit Delete three or four times to clear the distorted area from the edges. And you finished!
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